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Anankos • Arete • Arthur • Azama • Azura • Benny • Beruka • Caeldori • Camilla • Charlotte • Corrin • Dwyer • Effie • Elise • Felicia • Flora • Forrest • Fuga • Garon • Gunter • Hana • Hans • Hinata • Hinoka • Iago • Jakob • Kaden • Kagero • Kana • Kaze • Keaton • Kiragi • Laslow • Leo • Lilith • Midori • Mikoto • Niles • Nina • Nyx • Oboro • Odin • Ophelia • Orochi • Peri • Reina • Rhajat • Rinkah • Ryoma • Sakura • Saizo • Selena • Selkie • Setsuna • Shigure • Shiro • Siegbert • Silas • Soleil • Subaki • Takumi • Velouria • Xander In 1887, Denton Jacques Snider argued that the play should be read as a dialectic, either between understanding and imagination or between prose and poetry. He also viewed the play as representing three phases or movements. The first is the Real World of the play, which represents reason. The second is the Fairy World, an ideal world which represents imagination and the supernatural. The third is their representation in art, where the action is self-reflective. Snider viewed Titania and her caprice as solely to blame for her marital strife with Oberon. She therefore deserves punishment, and Oberon is a dutiful husband who provides her with one. For failing to live in peace with Oberon and her kind, Titania is sentenced to fall in love with a human. And this human, unlike Oberon is a "horrid brute". [39] Death • 2: The Dread Gate • 3: Countdown • 4: A King's Worth • 5: A Father's Legacy • 6: Realm of the Dead • 7: A Home Unknown • 8: Truth of a Name • 9: Cohort of the Dead • 10: Omnicidal Witch • 11: Where It Began • 12: Lethal Swordsman • 13: Marvelous Dream A 1996 French film, The Apartment ( L'Appartement), directed by Gilles Mimouni, has many references to the play.

BFI Screenonline: Ill Met By Moonlight (1957)". www.screenonline.org.uk . Retrieved 18 January 2018. Broich, Ulrich (2006). "Oberon and Titania in the City Park: The Magic of Other Texts as the Subject of Der Park by Botho Strauß". In Jansohn, Christa (ed.). German Shakespeare Studies at the Turn of the Twenty-first Century. International studies in Shakespeare and his contemporaries. Newark, Delaware: University of Delaware Press. pp.144–60. ISBN 978-0-87413-911-2. Shakespeare in the Arb". University of Michigan. n.d. Archived from the original on 23 June 2016 . Retrieved 15 July 2016. Amelia • Artur • Caellach • Colm • Cormag • Dozla • Duessel • Eirika • Ephraim • Ewan • Gerik • Gilliam • Innes • Joshua • Knoll • L'Arachel • Lute • Lyon • Marisa • Myrrh • Natasha • Neimi • Orson • Rennac • Riev • Ross • Saleh • Selena • Seth • Syrene • Tana • Tethys • Valter • Vanessa • VigardeBoth Horace Howard Furness and Henry Austin Clapp were more concerned with the problem of the play's duration, though they held opposing views. [39] Clapp, writing in 1885, commented on the inconsistency of the time depicted in the play, as it should take place in four days and nights and seems to last less than two, and felt that this added to the unrealistic quality of the play. [30] Furness, defending the play in 1895, felt that the apparent inconsistency did not detract from the play's quality. [30] In 2015, the plot of Be More Chill included a version of the play called A Midsummer Nightmare (About Zombies). [94] [95] Ballets [ edit ]

Director 1: Geraldine, I have to admit that would be very atmospheric, and I can see the audience getting involved in the action with such a picturesque setting, there's just one problem, what if it rains? In 1839, the philosopher Hermann Ulrici wrote that the play and its depiction of human life reflected the views of Platonism. In his view, Shakespeare implied that human life is nothing but a dream, suggesting influence from Plato and his followers who thought human reality is deprived of all genuine existence. Ulrici noted the way Theseus and Hippolyta behave here, like ordinary people. He agreed with Malone that this did not fit their stations in life, but viewed this behaviour as an indication of parody about class differences. [34] Director 1: Steve, using the smoke to represent the contagious fog and bad weather brought on by Oberon’s temper was inspired. Director 3: People go to outdoor productions of Shakespeare all the time, I can see this being really engaging.Bottom's Dream (1983) was an animated short directed by John Canemaker, showing events of the play from the point of view of Bottom. The film uses selections of Mendelssohn's music, lines from the play, and surreal imagery to convey Bottom's experience. [ citation needed] Montrose, Louis (2000). "The Imperial Votaress". In Brown, Richard Danson; Johnson, David (eds.). A Shakespeare Reader: Sources and Criticism. London: Macmillan Press. pp.60–71. ISBN 978-0-312-23039-5. Persuasive – he easily persuades Hermia to run away. He tries to persuade her to sleep close to him. A Midsummer Night's Dream, a UK production shot in Austria, set in an alternative near future. Directed by Sacha Bennett, it features Robert Lindsay as Oberon, Juliet Aubrey as Titania, Lee Boardman as Bottom, Harry Jarvis as Lysander, Tamzin Merchant as Helena, Holly Earl as Hermia, Tyger Drew-Honey as Demetrius and Florence Kasumba as Hippolyta. [ citation needed] Clapp, Susannah (8 May 2016). "A Midsummer Night's Dream review – the wildest of dreams". The Observer . Retrieved 14 April 2020.